Born in 1849, the son of a New York Physician, Blakelock's romantic landscapes, often featuring a silhouetted forground of various bitumen pigments (coal tar), which darkens with age. His work often exhibited heavy impasto painting that was at the same time delicate and elegant against the strongly contrasting background of moonlight and water, reminiscent of the work of the English pre-impressionist, J.M.W. Turner. With a large family to support, Blakelock's work did not find a ready market in the East, contributing to a series of endless financial woes the eventually led to a mental breakdown. He was institutionalized in 1891.
Yet, like Van Gogh in France, at about the same time, Blakelock could not stop painting. And even though supplies were scarce, his output did not diminish. Often reduced to painting on cardboard, fragments of window shades, or wallpaper, he continued to create his beloved landscapes. Strangely enough, after a time, his work began to attract critical attention and purchases. With this came an increase in prices and ironically, a virtual FLOOD of forgeries. It's been documented that there are more Blakelock FORGERIES, than originals. He was released from the mental insitution in 1916. He died a year later.